๐Ÿ‡งโ€‹๐Ÿ‡ฎโ€‹๐Ÿ‡ดโ€‹

Kyuri Jeon is a South Korean artist and filmmaker based in New York. Jeon works with video, essay, drawing, and installation to explore time, vision, and its implications for the future. Through the lens of intersectionality, she questions ongoing transnational discussions about identity, feminism, decolonization, and cultural translation. Jeonโ€™s work has been featured internationally at MassArt Art Museum, Boston; Mimosa House, London; Konsthall C, Stockholm; Artistsโ€™ Moving Image Festival, Glasgow; Festival Film Dokumenter, Yogyakarta; Women Make Waves, Taipei; and DMZ International Documentary Film Festival, Seoul. She is a recipient of a Contemporary Visual Art Award at AHL-T&W Foundation and an award winner at the Asian Shorts Competition at Seoul International Womenโ€™s Film Festival. Jeon holds BFA from Korea National University of Arts and MFA from the University of Pennsylvania and Seoul National University.

.ยฐห–โ‹† โ„ง ๐“ƒ— .ยฐห–.ยฐห–โ‹† โ„ง ๐“ƒ— .ยฐห–โ‹†

์ „๊ทœ๋ฆฌ๋Š” ํ•œ๊ตญ์—์„œ ํƒœ์–ด๋‚˜ ๋‰ด์š•์„ ๊ธฐ๋ฐ˜์œผ๋กœ ํ™œ๋™ํ•˜๋Š” ์ž‘๊ฐ€์ด์ž ๊ฐ๋…์œผ๋กœ, ๋น„๋””์˜ค, ์—์„ธ์ด, ๋“œ๋กœ์ž‰, ์„ค์น˜ ์ž‘์—…์„ ํ†ตํ•ด ์‹œ๊ฐ„, ๋น„์ „, ๊ทธ๋ฆฌ๊ณ  ๋ฏธ๋ž˜์— ๋Œ€ํ•œ ๊ฐœ์ž…๊ณผ ์˜ํ–ฅ์„ ํƒ๊ตฌํ•œ๋‹ค. ๊ต์ฐจ์„ฑ์˜ ๊ด€์ ์—์„œ ์ •์ฒด์„ฑ, ํŽ˜๋ฏธ๋‹ˆ์ฆ˜, ํƒˆ์‹๋ฏผ์ง€ํ™”, ๋ฌธํ™”์  ๋ฒˆ์—ญ์— ๊ด€ํ•œ ๊ตญ์ œ์ ์ด๊ณ  ์ง€์†์ ์ธ ๋…ผ์˜์— ์˜๋ฌธ์„ ์ œ๊ธฐํ•˜๋Š” ๊ณผ์ •์— ๊ด€์‹ฌ์„ ๊ฐ€์ง€๊ณ  ์žˆ๋‹ค. ์ „๊ทœ๋ฆฌ์˜ ์ž‘ํ’ˆ์€ ๋ฒ ๋ฅผ๋ฆฐ์˜ ํ‚จ๋“ค ํ˜„๋Œ€๋ฏธ์ˆ ์„ผํ„ฐ (KINDL-Centre for Contemporary Art), ๋ณด์Šคํ„ด์˜ ๋งค์Šค์•„ํŠธ ๋ฏธ์ˆ ๊ด€ (MassArt Art Museum), ๋Ÿฐ๋˜์˜ ๋ฏธ๋ชจ์‚ฌ ํ•˜์šฐ์Šค (Mimosa House), ์Šคํ†กํ™€๋ฆ„์˜ ์ฝ˜์Šคํƒˆ ์”จ (Konsthall C), ๊ธ€๋ž˜์Šค๊ณ  ์•„ํ‹ฐ์ŠคํŠธ ๋ฌด๋น™์ด๋ฏธ์ง€ ํŽ˜์Šคํ‹ฐ๋ฒŒ, ์š•์•ผ์นด๋ฅดํƒ€ ํŽ˜์Šคํ‹ฐ๋ฒŒ ํ•„๋ฆ„ ๋„ํ๋ฉ˜ํƒ€, ๋Œ€๋งŒ๊ตญ์ œ์—ฌ์„ฑ์˜ํ™”์ œ, ๊ทธ๋ฆฌ๊ณ  ์„œ์šธ DMZ ๊ตญ์ œ๋‹คํ๋ฉ˜ํ„ฐ๋ฆฌํŽ˜์Šคํ‹ฐ๋ฒŒ ๋“ฑ ๋‹ค์–‘ํ•œ ๊ตญ์ œ ๋ฌด๋Œ€์—์„œ ์†Œ๊ฐœ๋˜์—ˆ๋‹ค. ๊ทธ๋…€๋Š” AHL-T&W Foundation ํ˜„๋Œ€๋ฏธ์ˆ ์ƒ์„ ์ˆ˜์ƒํ–ˆ์œผ๋ฉฐ, ์„œ์šธ๊ตญ์ œ์—ฌ์„ฑ์˜ํ™”์ œ ์•„์‹œ์•„ ๋‹จํŽธ๊ฒฝ์„ ์—์„œ ์šฐ์ˆ˜์ƒ์„ ๋ฐ›์€ ๋ฐ” ์žˆ๋‹ค. ํ•œ๊ตญ์˜ˆ์ˆ ์ข…ํ•ฉํ•™๊ต์—์„œ ํ•™์‚ฌ ํ•™์œ„๋ฅผ, ํŽœ์‹ค๋ฒ ์ด๋‹ˆ์•„๋Œ€ํ•™๊ต์™€ ์„œ์šธ๋Œ€ํ•™๊ต์—์„œ ์„์‚ฌ ํ•™์œ„๋ฅผ ์ทจ๋“ํ–ˆ๋‹ค.


๐Ÿ‡จโ€‹๐Ÿ‡ดโ€‹๐Ÿ‡ณโ€‹๐Ÿ‡นโ€‹๐Ÿ‡ฆโ€‹๐Ÿ‡จโ€‹๐Ÿ‡นโ€‹

Email : qrijeon at g mail dot com
DM : @kyuri.jeon


Photography : Ghayoung Oh
Martin Seck (1-2, 10)


Island to Island (Geojedo โ†” Governors Island), Tattoo stencil on the wall, Dimensions variable, 2024

Site-specific tattoo stencil installation on the wall of the Arts Center at Governors Island as a part of the group exhibition, Hope is a discipline.

Excerpt.


Installation view at the Arts Center at Governors Island, Hope is a discipline. Photography: Martin Seck.


Installation view at Artspace New Haven, Completely Familiar, Entirely Free, 2022.


Installation view at Boan Art Space, When the Body Becomes Manifesto , 2022. Photography: Jun-young Hyun



The Flesh-Witness | ์‚ฐ์ฆ์ธ | ๆดป่ญ‰ไบบ
, 2021, Video, sound, 13:34


The Flesh-Witness | ์‚ฐ์ฆ์ธ | ๆดป่ญ‰ไบบ re-edits military footage from the National Archives and Records Administration in the United States, documenting prisoners of war (POWs) from the Korean War. The footage documents the capture and control of POWs by the UN Command at the Geoje-do POW Camp in the 1950s. During the โ€œvoluntaryโ€ repatriation process, many POWs were coerced into being tattooed with anti-communist slogans and symbols to prove their ideological allegiance and secure their return to their homelands. The film features hand-traced drawings of these tattoos and accompanying accounts in three languages, forming a constellation of historical markers inscribed on countless bodies.

*
Line Producer : Hobin Lee
Research Assistant : Chaeyoung Kim
Translation : Hangil Jang, Julian Junyuan Feng
Fund: Korean Film Council | Seoul Foundation for Arts and Culture | When the Body Becomes Manifesto

Installation view, Maschinenhaus M2, KINDL, Berlin, Germany โ€“ Centre for Contemporary Art, The New Subject. Mutating Rights and Conditions of Living Bodies, 2024. Photography: Jens Ziehe.


Installation view at the AHL Foundation, New York, USA, Taking Form, 2022. Photography: AHL Foundation.

Details.


Reviewed for Military Security (Set of three), 2022
Carbon-copy drawing and digital print on paper, frame,
30 x 49 x 2 cm each (H x W x D)


Reviewed for Military Security consists of three hand-traced carbon copies derived from photographic archives of Korean War POWs. These drawings outline the captions on the reverse side of the photograph using the identical tracing technique utilized to transfer POWs' tattoos on the film screen in The Flesh-Witness | ์‚ฐ์ฆ์ธ | ๆดป่ญ‰ไบบ (2021). The work is tethered to the original archive while revealing them as documents created, scrutinized, and preserved by the National Archives and Records Administration in the United States.
Video Stills.


Installation view at Hessel Museum of Art Bard College, Right to Mother, 2023. Photography: Paul Rho


Installation view at Boan Art Space, When the Body Becomes Manifesto , 2022. Photography: Jun-young Hyun


Installation view at the EFA Project Space, Wants & Needs, 2021. Photography: Yann Chashanovski.



๋‹ค์‹ , ํƒœ์–ด๋‚˜, ๋‹ค์‹œ Born, Unborn and Born Again, Single HD Video, Sound, 12m 23s, 2020

Born, Unborn and Born Again revolves around my struggle to embody the White Horse, a zodiac sign which occurs every 60-year cycle in East Asian Countries. This film explores the transnational nature of governmental control over reproductive systems, and how this oppression manifests in our bodies and perceptions of self. I use the structure of my mother tongue, Korean, and my second language, English, to contemplate ruptures, repetition of time, and violence against women. An untold history resurfaces in the present, and re-orients us towards the future.

1930๋…„์— ์ผ์ฐ ์ฃฝ์€, 1990๋…„์— ํƒœ์–ด๋‚˜์ง€ ๋ชปํ•œ, 2050๋…„์— ๋‹ค์‹œ ํƒœ์–ด๋‚œ ์—ฌ์„ฑ์„ ์ƒ์ƒํ•œ๋‹ค. ๊ณผ๊ฑฐ์˜ ์‚ฌ๊ฑด์€ ํ˜„์žฌ๋กœ ํŠ€์–ด๋‚˜์™€ ๋ฒˆ์ฉ์ด๊ณ , ํ˜„์žฌ์™€ ๋ฏธ๋ž˜๋ฅผ ๋ฐ”๊พผ๋‹ค. ๋‹ค์‹ , ํƒœ์–ด๋‚˜, ๋‹ค์‹œ๋Š” ์ผ์ œ๊ฐ•์ ๊ธฐ๋ถ€ํ„ฐ ์‹œ์ž‘๋œ ์—ฌ์„ฑํ˜์˜ค์  ๋ฏธ์‹ ๊ณผ ๊ตญ๊ฐ€ ์ฐจ์›์˜ ์žฌ์ƒ์‚ฐ๊ถŒ ๊ทœ์ œ๋ฅผ ๊ต์ฐจํ•˜๋ฉฐ ์–ด๋–ป๊ฒŒ ๋ชธ๊ณผ ์ž์•„์— ์–ต์••์ด ๋‚˜ํƒ€๋‚˜๋Š”์ง€ ์ ๊ฒ€ํ•œ๋‹ค. ๋‚˜์˜ ๋ชจ๊ตญ์–ด์—” ์—†๋Š” ์˜์–ด์˜ ๋ฏธ๋ž˜์™„๋ฃŒ ์‹œ์ œ๋ฅผ ํ†ตํ•ด ์‹œ๊ฐ„์˜ ๊ท ์—ด๊ณผ ์ˆœํ™˜์„ ๋ช…์ƒํ•˜๊ณ , ๊ตญ๊ฐ€ ์‚ฌ์ด๋ฅผ ํšก๋‹จํ•˜๋Š” ๋ชธ์— ๋Œ€ํ•œ ๊ทœ์ œ๋ฅผ ํƒํ—˜ํ•œ๋‹ค. 

*
Sound by Michael Bailey
Supported by The Sachs Program for Arts Innovation
Distribution by Cinema Dal
Closed Caption by Collective Text

*
Selected Festivals
- Seoul International Women's Film Festival, Seoul, South Korea - Award of Excellence, Asian Shorts Competition
- GIVE BIRTH TO ME TOMORROW โ€“ Artistsโ€™ Moving Image Festival (AMIF), Glasgow, UK
- Women Make Waves International Film Festival, Taipei, Taiwan
- DMZ International Documentary Film Festival, Goyang, South Korea
- OVC with Lino Kino, Institute of Contemporary Art, Philadelphia, USA


Excerpt.


Installation view at the Icebox Project Space, 2020.



Symphony for the Eagle, Single HD Video, Sound, 3m 35s, 2020
Sound by InBloom Studio


Symphony for the Eagle is an exclusive tribute music video for quintessential American symbols: the Wanamaker organ, renowned as the largest fully functioning orchestra-like sound pipe organ in the world, and the 6โ€™ 6โ€ณ tall bronze Eagle sculpture. Both are prominently installed in Macy's, formerly Wanamaker's department store, located in Central Philadelphia. These symbols were acquired by John Wanamaker, an American merchant, during the 1904 St. Louis Worldโ€™s Fair.

์„ธ๊ณ„์—์„œ ๊ฐ€์žฅ ํฐ ํŒŒ์ดํ”„ ์˜ค๋ฅด๊ฐ„์ธ ์›Œ๋„ˆ๋ฉ”์ด์ปค Wanamaker ์˜ค๋ฅด๊ฐ„๊ณผ ๋…์ผ ์กฐ๊ฐ๊ฐ€ ์•„์šฐ๊ตฌ์ŠคํŠธ ๊ฐ€์šธ August Gaul์˜ 1904๋…„ ์ž‘ํ’ˆ์ธ ๋…์ˆ˜๋ฆฌ ์กฐ๊ฐ์ƒ์€ ๋ฏธ๊ตญ์˜ ๋ฐฑํ™”์  ์ฒด์ธ์ธ ๋ฉ”์ด์‹œ์Šค Macyโ€™s์˜ ํ•„๋ผ๋ธํ”ผ์•„ ์„ผํ„ฐ ์‹œํ‹ฐ ์ง€์ ์— ์„ค์น˜๋˜์–ด ์žˆ๋‹ค. <๋…์ˆ˜๋ฆฌ๋ฅผ ์œ„ํ•œ ๊ตํ–ฅ๊ณก>์€ ๋ฏธ๊ตญ์„ ๋Œ€ํ‘œํ•˜๋Š” ์ƒ์ง•๋“ค์— ๋ฐ”์น˜๋Š” ํ—Œ์ •์ด์ž, ๋…์ ์  ๋ฎค์ง๋น„๋””์˜ค๋‹ค.

Stills.


Installation view.



Sweet Golden Kiwi, Two Ch HD Video, Sound, 17' 41", 2017

Sweet Golden Kiwi overlaps the voices and transnational labors as it follows the path of a kiwifruit.

*
Sound: In Bloom Studio
Fund: GyeongGi Cultural Foundation | GyeongGi Cultural Foundation Northen Cultural Agency | Ilhyun Museum
Photography: Goyang Aramnuri Arts Center



Lunches
Single Channel SD Video
10min
2009
ํ•œ๊ธ€๋ฒ„์ „์€ ์Šคํฌ๋กค ํ•˜์‹œ๋ฉด ์•„๋ž˜์— ์žˆ์Šต๋‹ˆ๋‹ค.
Please scroll down for Korean.


KYURI JEON



b. 1990, South Korea

Lives and works in New York, USA



EDUCATION


University of Pennsylvania โ€” Philadelphia, USA | Master of Fine Arts

Seoul National University โ€” Seoul, KR | Master of Fine Arts in Painting

Korea National University of Arts โ€” Seoul, KR | Bachelor of Fine Arts

Willem de Kooning Academy โ€” Rotterdam, NL | Exchange Program in Fine Arts



GROUP EXHIBITION


2025
there are other skies, Scottsdale Museum of Contemporary Art, Scottsdale, USA

2024

The New Subject, KINDL โ€“ Centre for Contemporary Art, Berlin, Germany

Hope is a Discipline, The Arts Center at Governors Island, New York, USA

Designing Motherhood, Swedish Centre for Architecture and Design(ArkDes), Stockholm, Sweden

transfeminisms, Mimosa House, London, UK

2023

The New Subject, Konsthall C, Stockholm, Sweden

Designing Motherhood, Gates Foundation Discovery Center, Seattle, USA

Right to Mother, CCS Hessel Museum of Art, Annandale-on-Hudson, USA

2022

Designing Motherhood, MassArt Art Museum, Boston, USA

Completely Familiar, Entirely Free, Artspace New Haven, New Haven, USA

Taking Form, AHL Foundation Gallery, NYC, USA

2021

When the Body Becomes Manifesto, Boan Art Space, Seoul, South Korea

Wants & Needs, The Elizabeth Foundation for the Arts, NYC, USA

Double Feature, Icebox Project Space, Philadelphia, USA

Designing Motherhood, Mรผtter Museum, Philadelphia, USA

2020

4th Wall, Vox Populi, Philadelphia, USA

Ways Away, Fjord Gallery, Philadelphia, USA

2019
Intersection, Space9, Seoul, South Korea

2018
Way Home, Suwon Art Center, Suwon, South Korea

2017
Sang Sang Hwa Hwa: Something New, Goyang Aram Nuri Arts Center, South Korea



SCREENING โ€“ FILM FESTIVAL SELECTION


2022

Sorry Not Sorry Short x Asian Pop-Up Cinema Film Festival, New York, USA

Seoul International Senior Film Festival, Seoul, South Korea

Gaebok Women's Film Festival, Kunsan, South Korea

Changwon Womenโ€™s Rights Film Festival, Changwon, South Korea

2021

GIVE BIRTH TO ME TOMORROW โ€“ Artistsโ€™ Moving Image Festival(AMIF), Glasgow, UK

Women Make Waves International Film Festival, Taipei, Taiwan

Summer Pride Cinema, Seoul International Pride Film Festival, Seoul, South Korea

Seoul International ALT Cinema & Media Festival, Seoul, South Korea

Incheon Womenโ€™s Film Festival, Incheon, South Korea

Jeju Hondie Film Festival, Jeju, South Korea

Film Festival for Women's Rights, Seoul, South Korea

2020

OVC with Lino Kino, Institute of Contemporary Art, Philadelphia, USA

Seoul International Women's Film Festival, Seoul, South Korea

DMZ International Documentary Film Festival, Goyang, South Korea

Les Mains Gauches โ€“ Queer Feminist Short Movies, Marseille, France

2019

Festival Film Dokumenter(FFD), Yogyakarta, Indonesia

Migrant World Film Festival, Seoul, South Korea

Diaspora Film Festival, Incheon, South Korea

Close Enough, Lightbox Film Center, Philadelphia, USA

Seoul Independent Documentary Film Festival, Seoul, South Korea

2018
Seoul International Newmedia Festival, Korean Short, Seoul, South Korea


COMMUNITY SCREENING / PUBLIC TALK


2025

Ending the Korean War Symposium, Yale University, New Haven, USA (02/06/2025) [screening/talk]

Flesh Witnesses, Atlas Cinema, London, UK (06/15/2025) [screening]

East Asian Narratives in Non-fiction Shorts, LA Film Forum, Los Angeles, USA (10/08/2025) [screening]

Restoring Memory, New York University, New York, USA (02/18/2025) [screening]

Her (Invisible) Cities, Liu Shiming Art Foundation, New York, USA (02/15/2025) [screening/talk]


2024

Translating Life, Death, and Language, Asia Art Archive in America, New York, USA (09/19/2024) [screening/talk]

Conversation with Maggie Wong and Hฦฐฦกng Ngรด as part of Tiger Balm, USA [interview]

Asian Diasporic Experience in Non-Fiction Shorts, Gene Frankel Theatre, New York, USA (10/19/2025) [screening]

Flรขnerie, IntheCloset, Vilnius Culture Night, Vilnius, Lithuania (06/07/2024) [screening]

Loose Definition, WHAMMY! Analog Media, Los Angeles, USA (05/23/2024) [screening]


2023

Visiting Artist Talk, University of Pennsylvania, Philadelphia, USA (03/29/2023) [screening/talk]

Seoul Community Cinema League, Seoul, South Korea (11/23/2023) [screening]


2022

Indieground, Seoul, South Korea (03/01/2022-03/14/2022) [screening]

Independent Short Collection, WAVVE, South Korea (07/23/2022-08/07/2022) [online screening]


2021

Here, Now, and My Body, Arirang Cine Center, Seoul, South Korea (12/23/2021) [screening/talk]

Archive and Reconstruct with Cine Miru, MediACT, Seoul, South Korea (12/12/2021) [screening/talk]

Film Festival for Women's Rights, CGV Apgujeong, Seoul, South Korea (12/09/2021) [screening/talk]

Our Embodied Memory, Kyuri Jeon, and Bora Lee-Kil, South Korea (10/29/2021) [online talk]


2020

DMZ Intl. Documentary Festival, MegaBox Baekseok, Goyang, South Korea (09/24/2020) [screening/talk]

Seoul Intl. Womenโ€™s Film Festival, MegaBox Sangam, Seoul, South Korea (09/13/2020) [screening/talk]

Kyuri Jeon and Lino Kino, Institute of Contemporary Art, Philadelphia, USA (09/09/2020) [online talk]

Artist Talk, University of Pennsylvania, Philadelphia, USA (04/07/2020) [screening/talk]

Bucheon Cultural Foundation, Bucheon, South Korea (10/20/2020) [online screening]

Suwon Media Center Cinematheque, Suwon, South Korea (12/05/2020-12/07/2020) [online screening]



GRANT / AWARD


2025

MacDowell Fellowship, MacDowell Foundation

Artist Research Grant, GyeongGi Cultural Foundation

2024
Emergency Grant, Foundation for Contemporary Arts

2023

Young Artist International Grant, Art Council Korea

2022

Mayorโ€™s Award in Short Film at Seoul Int. Senior Film Festival, Seoul Metropolitan Government

Contemporary Visual Art Awards, Silver Prize, AHL-T&W Foundation

2021

Production Grants, Seoul Foundation for Arts and Culture

Grants for Independent Artists, GyeongGi Cultural Foundation

AAPI Artists Grant, The Sachs Program for Arts Innovation

2020

Toby Devan Lewis Fellowship, Toby Devan Lewis Foundation

Independent Documentary Production Fund, Korean Film Council

The Second Prize in Asian Shorts Competition, Seoul International Women's Film Festival

2018-20
PennDesign Scholarship, University of Pennsylvania School of Design

2017
Emerging Artist Grants, GyeongGi Cultural Foundation

2016
Art & Culture Creators Grants, GyeongGi Cultural Foundation Northern Cultural Agency

2015
Ilhyun Travel Grants, Ilhyun Museum

2013
Promising Art Project Grants, Hyundai Card/Capital



RESIDENCY / INDEPENDENT PROJECT


2025
MacDowell Residency, New Hampshire, USA

2023
Founder & Co-organizer of As Slow As Possible Residency, New York & Los Angeles

2016
Asia Network Project Participant, GyeongGi Cultural Foundation Northern Cultural Agency

2015
Cinematography/Production Design, Glittering Hands, Directed by Bora Lee-Kil


*
Please contact for the full CV.
Updated on September 2025.






CV [ํ•œ๊ตญ์–ด]

์ „๊ทœ๋ฆฌ b.1990, ํ•œ๊ตญ ์ถœ์ƒ
๋‰ด์š•์—์„œ ์ž‘์—… ๋ฐ ๊ฑฐ์ฃผ

ํ•™๋ ฅ
2020 ํŽœ์‹ค๋ฒ ๋‹ˆ์•„ ๋Œ€ํ•™๊ต ์ˆœ์ˆ˜๋ฏธ์ˆ  ์„์‚ฌ ์กธ์—…
2016 ์„œ์šธ๋Œ€ํ•™๊ต ๋ฏธ์ˆ ๋Œ€ํ•™ ์„œ์–‘ํ™”๊ณผ ์„œ์–‘ํ™”์ „๊ณต ์„์‚ฌ ์ˆ˜๋ฃŒ
2014 ํ•œ๊ตญ์˜ˆ์ˆ ์ข…ํ•ฉํ•™๊ต ๋ฏธ์ˆ ์› ์กฐํ˜•์˜ˆ์ˆ ๊ณผ ํ•™์‚ฌ ์กธ์—…
2012 ์œŒ๋ ˜ ๋“œ ์ฟ ๋‹ ์•„์นด๋ฐ๋ฏธ ์ˆœ์ˆ˜๋ฏธ์ˆ  ๊ตํ™˜ํ•™์ƒ ๊ณผ์ • ์ˆ˜๋ฃŒ

๋‹จ์ฒด์ „
2025 There are other skies, ์Šค์ฝ”์ธ ๋ฐ์ผ ํ˜„๋Œ€๋ฏธ์ˆ ๊ด€, ์• ๋ฆฌ์กฐ๋‚˜, ๋ฏธ๊ตญ
2024 Designing Motherhood, ArkDes ์Šค์›จ๋ด ๊ตญ๋ฆฝ๊ฑด์ถ•ยท๋””์ž์ธ์„ผํ„ฐ, ์Šคํ†กํ™€๋ฆ„, ์Šค์›จ๋ด
2024 The New Subject, KINDL ํ˜„๋Œ€ ๋ฏธ์ˆ  ์„ผํ„ฐ, ๋ฒ ๋ฅผ๋ฆฐ, ๋…์ผ
2024 Hope is a Discipline, ๊ฑฐ๋ฒ„๋„ˆ์Šค ์•„์ผ๋žœ๋“œ ์•„ํŠธ์„ผํ„ฐ, ๋‰ด์š•, ๋ฏธ๊ตญ
2024 transfeminisms, ๋ฏธ๋ชจ์‚ฌ ํ•˜์šฐ์Šค, ๋Ÿฐ๋˜, ์˜๊ตญ
2023 The New Subject. Mutating Rights and Conditions of Living Bodies, Konsthall C, ์Šคํ†กํ™€๋ฆ„, ์Šค์›จ๋ด
2023 Designing Motherhood, ๊ฒŒ์ด์ธ  ํŒŒ์šด๋ฐ์ด์…˜ ๋””์Šค์ปค๋ฒ„๋ฆฌ ์„ผํ„ฐ, ์‹œ์• ํ‹€, ๋ฏธ๊ตญ
2023 Right to Mother, Hessel Museum of Art, ๋‰ด์š•, ๋ฏธ๊ตญ
2022 Designing Motherhood, ๋งค์Šค์•„ํŠธ ๋ฏธ์ˆ ๊ด€, ๋ณด์Šคํ„ด, ๋ฏธ๊ตญ
2022 Completely Familiar, Entirely Free, ์•„ํŠธ์ŠคํŽ˜์ด์Šค ๋‰ดํ—ค์ด๋ธ, ๋‰ดํ—ค์ด๋ธ, ๋ฏธ๊ตญ
2022 Taking Form, AHL ํŒŒ์šด๋ฐ์ด์…˜ ๊ฐค๋Ÿฌ๋ฆฌ, ๋‰ด์š•, ๋ฏธ๊ตญ
2021 Designing Motherhood, ๋ฎˆํ„ฐ ๋ฏธ์ˆ ๊ด€,ํ•„๋ผ๋ธํ”ผ์•„, ๋ฏธ๊ตญ
2021 Wants and Needs, The Elizabeth Foundation for the Arts, ๋‰ด์š•, ๋ฏธ๊ตญ
2021 Double Feature, ์•„์ด์Šค๋ฐ•์Šค ํ”„๋กœ์ ํŠธ ์ŠคํŽ˜์ด์Šค, ํ•„๋ผ๋ธํ”ผ์•„, ๋ฏธ๊ตญ
2021 ๋ชธ์ด ์„ ์–ธ์ด ๋  ๋•Œ, ๋ณด์•ˆ์—ฌ๊ด€, ์„œ์šธ, ํ•œ๊ตญ
2020 4th Wall: film/video, Vox Populi, ํ•„๋ผ๋ธํ”ผ์•„, ๋ฏธ๊ตญ
2020 Ways Away, Fjord Gallery, ํ•„๋ผ๋ธํ”ผ์•„, ๋ฏธ๊ตญ
2019 ๋‚˜๋ฅผ ๋” ๋‚˜์€ ์‚ฌ๋žŒ์œผ๋กœ ๋งŒ๋“œ๋Š” ๊ฒƒ์€ ๋ฌด์—‡์ธ๊ฐ€, Space9, ์„œ์šธ, ํ•œ๊ตญ
2018 Way Home, ์ˆ˜์›๋ฏธ์ˆ ๊ด€, ์ˆ˜์›, ํ•œ๊ตญ
2017 ์ƒ์ƒํ™”ํ™” ็”Ÿ็”ŸๅŒ–ๅŒ–: Something New, ๊ณ ์–‘์•„๋žŒ๋ˆ„๋ฆฌ ๋ฏธ์ˆ ๊ด€, ๊ณ ์–‘, ํ•œ๊ตญ


์ƒ์˜
2024 Flรขnerie, IntheCloset, Vilnius Culture Night, ๋นŒ๋‰ด์Šค, ๋ฆฌํˆฌ์•„๋‹ˆ์•„
2024 Loose Definition, WHAMMY! Analog Media, ๋กœ์Šค ์—”์ ค๋ ˆ์Šค, ๋ฏธ๊ตญ
2022 Sorry Not Sorry X Asian Pop-Up Cinema, ๋‰ด์š•, ๋ฏธ๊ตญ
2022 ์„œ์šธ๊ตญ์ œ๋…ธ์ธ์˜ํ™”์ œ, ์„œ์šธ, ํ•œ๊ตญ
2021 GIVE BIRTH TO ME TOMORROW โ€“ Artistsโ€™ Moving Image Festival (AMIF), ๊ธ€๋ž˜์Šค๊ณ , ์˜๊ตญ
2021 ๋Œ€๋งŒ๊ตญ์ œ์—ฌ์„ฑ์˜ํ™”์ œ, ํƒ€์ด๋ฒ ์ด, ๋Œ€๋งŒ
2021 ์ธ๋จธ ํ”„๋ผ์ด๋“œ ์‹œ๋„ค๋งˆ 2021, ์„œ์šธ๊ตญ์ œํ”„๋ผ์ด๋“œ์˜ํ™”์ œ, ์„œ์šธ, ํ•œ๊ตญ
2021 ์„œ์šธ๊ตญ์ œ๋Œ€์•ˆ์˜์ƒ์˜ˆ์ˆ ํŽ˜์Šคํ‹ฐ๋ฒŒ, ํ•œ๊ตญ์‹ ์ž‘๊ฒฝ์Ÿ, ์„œ์šธ, ํ•œ๊ตญ
2021 ์ธ์ฒœ์—ฌ์„ฑ์˜ํ™”์ œ, ์ธ์ฒœ, ํ•œ๊ตญ
2021 ์ œ์ฃผํ˜ผ๋“ธ๋…๋ฆฝ์˜ํ™”์ œ, ์ œ์ฃผ, ํ•œ๊ตญ
2021 ์—ฌ์„ฑ์ธ๊ถŒ์˜ํ™”์ œ, ์„œ์šธ, ํ•œ๊ตญ
2020 OVC with Lino Kinoโฃ, Institute of Contemporary Art, ํ•„๋ผ๋ธํ”ผ์•„, ๋ฏธ๊ตญ
2020 ์„œ์šธ๊ตญ์ œ์—ฌ์„ฑ์˜ํ™”์ œ, ์•„์‹œ์•„๋‹จํŽธ๊ฒฝ์Ÿ, ์„œ์šธ, ํ•œ๊ตญ
2020 DMZ๊ตญ์ œ๋‹คํ๋ฉ˜ํ„ฐ๋ฆฌํŽ˜์Šคํ‹ฐ๋ฐœ, ๋‹จํŽธ๊ฒฝ์Ÿ, ๊ณ ์–‘, ํ•œ๊ตญ
2020 Les Mains Gauches โ€“ ํ€ด์–ด ํŽ˜๋ฏธ๋‹ˆ์ŠคํŠธ ์ˆ ๋ฌด๋น„, ๋งˆ๋ฅด์„ธ์œ , ํ”„๋ž‘์Šค
2019 Festival Film Dokumenter(FFD), ์กฑ์ž์นด๋ฅดํƒ€, ์ธ๋„๋„ค์‹œ์•„
2019 ์ด์ฃผ๋ฏผ ์˜ํ™”์ œ, ์„œ์šธ, ํ•œ๊ตญ
2019 ๋””์•„์Šคํฌ๋ผ ์˜ํ™”์ œ, ์ธ์ฒœ, ํ•œ๊ตญ
2019 Close Enough, ๋ผ์ดํŠธ๋ฐ•์Šค ํ•„๋ฆ„ ์„ผํ„ฐ, ํ•„๋ผ๋ธํ”ผ์•„, ๋ฏธ๊ตญ
2019 ์„œ์šธ์ธ๋””๋‹คํํŽ˜์Šคํ‹ฐ๋ฒŒ, ์„œ์šธ, ํ•œ๊ตญ
2018 ์„œ์šธ๊ตญ์ œ๋‰ด๋ฏธ๋””์–ดํŽ˜์Šคํ‹ฐ๋ฒŒ, ์„œ์šธ, ํ•œ๊ตญ

์ˆ˜์ƒ
2024 2024 Emergency Grant, Foundation for Contemporary Arts
2023 ์ฒญ๋…„์˜ˆ์ˆ ๊ฐ€์ƒ์• ์ฒซ์ง€์› ์‹œ๊ฐ์˜ˆ์ˆ ๋ถ€๋ฌธ, ํ•œ๊ตญ๋ฌธํ™”์˜ˆ์ˆ ์œ„์›ํšŒ
2022 ์„œ์šธ๊ตญ์ œ๋…ธ์ธ์˜ํ™”์ œ ์„œ์šธ์‹œ์žฅ์ƒ, ์„œ์šธํŠน๋ณ„์‹œ
2022 ํ˜„๋Œ€ ์‹œ๊ฐ ์˜ˆ์ˆ ์ƒ, ์€์ƒ, AHL-T&W ์žฌ๋‹จ
2021 ์˜ˆ์ˆ ์ฐฝ์ž‘ํ™œ๋™์ง€์›, ์„œ์šธ๋ฌธํ™”์žฌ๋‹จ
2021 ๊ฒฝ๊ธฐ๋„ํ˜• ์˜ˆ์ˆ ์ธ ์ž๋ฆฝ์ง€์›, ๊ฒฝ๊ธฐ๋ฌธํ™”์žฌ๋‹จ
2021 AAPI Artists Grant, Theย Sachs Program for Artsย Innovation
2020 Toby Devan Lewis Fellowship, Toby Devan Lewis Foundation
2020 ๋…๋ฆฝ์˜ˆ์ˆ ์˜ํ™” ์ œ์ž‘์ง€์› ๋‹คํ๋ฉ˜ํ„ฐ๋ฆฌ๋ถ€๋ฌธ, ์˜ํ™”์ง„ํฅ์œ„์›ํšŒ
2020 ์•„์‹œ์•„๋‹จํŽธ๊ฒฝ์„  ์šฐ์ˆ˜์ƒ, ์„œ์šธ๊ตญ์ œ์—ฌ์„ฑ์˜ํ™”์ œ
2018-2020 ํŽœ๋””์ž์ธ ์žฅํ•™๊ธˆ, ํŽœ์‹ค๋ฒ ๋‹ˆ์•„ ๋Œ€ํ•™๊ต ๋””์ž์ธ๊ณผ
2017 ์ „๋ฌธ์˜ˆ์ˆ ์ฐฝ์ž‘์ง€์›๋ถ€๋ถ„ ์‹ ์ง„์ž‘๊ฐ€ ์„ ์ •, ๊ฒฝ๊ธฐ๋ฌธํ™”์žฌ๋‹จ
2016 ์ฒญ๋…„ ๋ฌธํ™”์˜ˆ์ˆ ํ™œ๋™ ์ง€์›์‚ฌ์—… ์„ ์ •, ๊ฒฝ๊ธฐ๋ฌธํ™”์žฌ๋‹จ ๋ถ๋ถ€๋ฌธํ™”์‚ฌ์—…๋‹จ
2015 ์ผํ˜„๋ฏธ์ˆ ๊ด€ ํŠธ๋ž˜๋ธ” ๊ทธ๋žœํŠธ ๋Œ€์ƒ, ์ผํ˜„๋ฏธ์ˆ ๊ด€, ์„์ง€์žฌ๋‹จ
2013 ์šฐ์ˆ˜ ์•„ํŠธํ”„๋กœ์ ํŠธ ์ œ์ž‘์ง€์›, ํ˜„๋Œ€์นด๋“œ/ํ˜„๋Œ€์บํ”ผํƒˆ


์•„ํ‹ฐ์ŠคํŠธ ํ† ํฌ ๋ฐ ๊ณต๋™์ฒด ์ƒ์˜
2025 ์ƒ์˜ ๋ฐ ์•„ํ‹ฐ์ŠคํŠธ ํ† ํฌ, ์˜ˆ์ผ ๋Œ€ํ•™๊ต, ์ฝ”๋„คํ‹ฐ์ปท, ๋ฏธ๊ตญ
2025 ๊ณต๋™์ฒด ์ƒ์˜, ๋‰ด์š•๋Œ€ํ•™๊ต, ๋‰ด์š•, ๋ฏธ๊ตญ
2025 ๊ณต๋™์ฒด ์ƒ์˜, ๋กœ์Šค ์•ค์ ค๋ ˆ์Šค ํ•„๋ฆ„ ํฌ๋Ÿผ, ๋กœ์Šค ์•ค์ ค๋ ˆ์Šค, ๋ฏธ๊ตญ
2025 ๊ณต๋™์ฒด ์ƒ์˜ ๋ฐ ์•„ํ‹ฐ์ŠคํŠธ ํ† ํฌ, ๋ฆฌ์šฐ ์‹œ๋ฐ ํŒŒ์šด๋ฐ์ด์…˜, ๋‰ด์š•, ๋ฏธ๊ตญ
2024 ๊ณต๋™์ฒด ์ƒ์˜ ๋ฐ ์•„ํ‹ฐ์ŠคํŠธ ํ† ํฌ, ์•„์‹œ์•„ ์•„ํŠธ ์•„์นด์ด๋ธŒ, ๋‰ด์š•, ๋ฏธ๊ตญ
2023 ์•„ํ‹ฐ์ŠคํŠธ ํ† ํฌ, ํŽœ์‹ค๋ฒ ๋‹ˆ์•„ ๋Œ€ํ•™๊ต, ํ•„๋ผ๋ธํ”ผ์•„, ๋ฏธ๊ตญ
2023 ๊ณต๋™์ฒด ์ƒ์˜, ์„œ์šธ ์ปค๋ฎค๋‹ˆํ‹ฐ ์‹œ๋„ค๋งˆ ๋ฆฌ๊ทธ, ์„œ์šธ, ํ•œ๊ตญ
2022 ๊ณต๋™์ฒด ์ƒ์˜, ์ธ๋””๊ทธ๋ผ์šด๋“œ, ์„œ์šธ, ํ•œ๊ตญ
2022 ๊ณต๋™์ฒด ์ƒ์˜, ๊ฐœ๋ณต์—ฌ์„ฑ์˜ํ™”์ œ, ๊ตฐ์‚ฐ, ํ•œ๊ตญ
2022 ๊ณต๋™์ฒด ์ƒ์˜, ์ฐฝ์›์—ฌ์„ฑ์ธ๊ถŒ์˜ํ™”์ œ, ์ฐฝ์›, ํ•œ๊ตญ
2022 ์˜จ๋ผ์ธ ์ƒ์˜, ์›จ์ด๋ธŒ-์ธ๋””ํ”Œ๋ ‰์Šค ๋…๋ฆฝ์˜ํ™” ๋‹จํŽธ ์ปฌ๋ ‰์…˜, ํ•œ๊ตญ
2021 ๊ณต๋™์ฒด ์ƒ์˜ ๋ฐ ๊ฐ๋…๊ณผ์˜ ๋Œ€ํ™”(GV), ์ง€๊ธˆ, ์—ฌ๊ธฐ, ๋‚ด๋ชธ, ๋‹ค๋‹ค๋ฆ„ํ•„๋ฆ„ํŒŒํ‹ฐ, ์•„๋ฆฌ๋ž‘ ์‹œ๋„ค์„ผํ„ฐ, ์„œ์šธ, ํ•œ๊ตญ
2021 ๊ณต๋™์ฒด ์ƒ์˜ ๋ฐ ๊ฐ๋…๊ณผ์˜ ๋Œ€ํ™”(GV), ๊ธฐ๋ก๊ณผ ์žฌ๊ตฌ์„ฑ with ์”จ๋„ค๋ฏธ๋ฃจ, ๋ฏธ๋””์•กํŠธ, ์„œ์šธ, ํ•œ๊ตญ
2021 ๊ฐ๋…๊ณผ์˜ ๋Œ€ํ™”(GV), ์—ฌ์„ฑ์ธ๊ถŒ์˜ํ™”์ œ ํ”ผ์›€. CGV ์••๊ตฌ์ • ๊ฐ•๋‚จ, ์„œ์šธ, ํ•œ๊ตญ
2021 ์•„ํ‹ฐ์ŠคํŠธ ํ† ํฌ, ์ž์‹ ์˜ ์–ธ์–ด์™€ ๋ฐฉ์‹์œผ๋กœ ์—ญ์‚ฌ๋ฅผ ๋‹ค์‹œ ์“ฐ๋Š” ์—ฌ์„ฑ ์ž‘๊ฐ€๋“ค, ์˜จ๋ผ์ธ(Zoom), ํ•œ๊ตญ
2020 ๊ฐ๋…๊ณผ์˜ ๋Œ€ํ™”(GV), DMZ๊ตญ์ œ๋‹คํ๋ฉ˜ํ„ฐ๋ฆฌํŽ˜์Šคํ‹ฐ๋ฐœ, ๋ฉ”๊ฐ€๋ฐ•์Šค ๋ฐฑ์„, ๊ณ ์–‘, ํ•œ๊ตญ
2020 ๊ฐ๋…๊ณผ์˜ ๋Œ€ํ™”(GV), ์„œ์šธ๊ตญ์ œ์—ฌ์„ฑ์˜ํ™”์ œ, ๋ฉ”๊ฐ€๋ฐ•์Šค ์ƒ์•”, ์„œ์šธ, ํ•œ๊ตญ
2020 ์•„ํ‹ฐ์ŠคํŠธ ํ† ํฌ, Kyuri Jeon and Lino Kino, Institute of Contemporary Art, ํ•„๋ผ๋ธํ”ผ์•„, ๋ฏธ๊ตญ
2020 ์•„ํ‹ฐ์ŠคํŠธ ํ† ํฌ, ํŽœ์‹ค๋ฒ ๋‹ˆ์•„ ๋Œ€ํ•™๊ต, ํ•„๋ผ๋ธํ”ผ์•„, ๋ฏธ๊ตญ
2020 ์˜จ๋ผ์ธ ์ƒ์˜, ์˜ค๋Š˜์˜ ์˜ํ™”, ํŒํƒ€์Šคํ‹ฑ ํ๋ธŒ X ์‹œ์Šคํ„ฐ์ฆˆ ํ•„๋ฆ„, ์„œ์šธ, ํ•œ๊ตญ
2020 ๊ณต๋™์ฒด ์ƒ์˜, ๋‹น์‹ ๊ณผ ํ•จ๊ป˜ ๋ถˆ์•ˆ์„ ๋งˆ์ฃผํ•˜๊ธฐ ์œ„ํ•˜์—ฌ , Suwon Media Center, Suwon, South Korea

๋ ˆ์ง€๋˜์‹œ
2025 ๋งฅ๋„์›ฐ ๋ ˆ์ง€๋˜์‹œ, ๋‰ด ํ–„ํ”„์…”, ๋ฏธ๊ตญ

์˜ํ™” ๊ฒฝ๋ ฅ ๋ฐ ๊ธฐํƒ€ ์ฐธ์—ฌ
2023 ๊ฐ€๋Šฅํ•œ ํ•œ ๋А๋ฆฌ๊ฒŒ ๋ ˆ์ง€๋˜์‹œ As Slow As Possible Residency ๋‰ด์š• | ๋กœ์Šค์•ค์ ค๋ ˆ์Šค ์„ค๋ฆฝ ๋ฐ ๊ณต๋™ ๊ธฐํš
2016 ์•„์‹œ์•„ ๋„คํŠธ์›Œํฌ ํ”„๋กœ์ ํŠธ, ๊ฒฝ๊ธฐ๋ฌธํ™”์žฌ๋‹จ ๋ถ๋ถ€๋ฌธํ™”์‚ฌ์—…๋‹จ
2015 ๋ฐ˜์ง์ด๋Š” ๋ฐ•์ˆ˜ ์†Œ๋ฆฌ, ์ด๊ธธ๋ณด๋ผ ์—ฐ์ถœ, 80๋ถ„, ๋‹คํ๋ฉ˜ํ„ฐ๋ฆฌ, KT&G ์ƒ์ƒ๋งˆ๋‹น ์ œ๊ณต ๋ฐ ๋ฐฐ๊ธ‰ โ€“์ดฌ์˜, ํ”„๋กœ๋•์…˜ ๋””์ž์ธ


2025๋…„ 2์›” ์—…๋ฐ์ดํŠธ.